Hard Choices, Which Only You Can Make

April 16, 2019 Sia Steffen

Hard Choices, Which Only You Can Make

Recently, there have been many questions raised by Captive Wildlife Watchdog about Kevin Richardson’s active, and continued, involvement with the purchase and use of captive bred lions in commercial productions like the upcoming movie Mia And The White Lion. In response, supporters of Richardson have cited the movie Born Free, along with Joy and George Adamson, alluding to the idea that Richardson’s activities are just as important to spreading awareness and aiding in lion conservation as the Adamsons and their lions were, and likening Richardson to the Adamsons.

Since the Adamsons have been brought up repeatedly, we felt it important to address the subject. The facts presented here have been objectively gathered from various sources. They will undoubtedly startle and upset some readers, but they are in no way intended as any sort of attack on the Adamsons. They are simply unbiased facts regarding the family and its actions.

While George Adamson attended boarding school in England, George and his brother Terence originally fantasized about becoming Big Game Hunters in Africa.

At the age of 18, in 1924, George traveled to Kenya to work on his father’s sprawling coffee plantation.
Disliking the work, George tried gold prospecting and several other odd jobs before signing on as a professional Safari Hunter.
After several years of professionally killing trophy animals for Safari customers, George joined Kenya’s Game Department.
In 1956 while tracking a “maneater” lion George Adamson shot and killed a lioness. There are two accounts of the killing. In one, George shot the lioness after mistaking her for the maneater he was hunting, and in another, Adamson shot the lioness when she charged him. Either way, Adamson shot and killed a lioness.
Upon discovering that the lioness he had killed was the mother of three cubs, George took the cubs back home to his wife Joy.
Two of the three cubs, being large and healthy, were promptly sold off to a Dutch zoo.
Because the third cub was undersized and easily managed, Joy kept her as a pet, and named her Elsa.
After living with Elsa as a pet for three full years, the Adamsons decided to “re-wild” the adult lioness and try to reintroduce her to a natural habitat.
Despite this professed goal, the main “adventures” within the later published “Free” books (as Joy’s Elsa trilogy is often called) are the Adamson’s continual attempts to actually retrieve Elsa and her cubs after they’ve wandered off into the wild bush. In addition, even after Joy acknowledged that Elsa had proved her ability to fend for herself, the Adamsons continued to kill antelopes and provide them for the lions.
The Adamson’s lions (being Elsa’s cubs, which though born wild were still considered pets by the Kenyan government because they were habituated to the presence of and interaction with the Adamsons) became such a nuisance, killing cattle, goats, and sheep which belonged to neighboring herdsmen, that Kenyan officials finally ordered the Adamsons to round them up and remove them.
Officials in Tanzania agreed to allow the lions (Elsa had since died) to be released into the Serengeti National Park.
The Adamsons, however, also moved into the park, and began making regular trips outside the boundary to shoot animals, and then bring them back to supplement the feeding of their “re-wilded” lions.
Park officials were subsequently forced to formally forbid the Adamsons from feeding the lions, who without their “help” did, in fact, thrive in the wild, and subsequently left the area.
The Adamsons then spent 19 months searching for, and trying to reengage with the now-living-wild lions–rather than allowing them to live free and without human interaction–before finally being forced to give up the effort.
By this time, the book written by Joy which documented Elsa’s life as a pet, and then her release, as well as that of her cubs (though their release only happened after the Adamsons were banned from interfering with them) had become a best seller, and a movie adaptation of “Born Free” was in the works. *As a little known aside, George Adamson never received a penny of money from the “Free” books. All royalties went to Joy alone, and were subsequently used for various conservation projects (some of them her own) which she believed in supporting.
The huge success of the books and movie, and the fame of the Adamsons allowed them to demand that local authorities exempt their own programs from game park regulations. Particularly because Joy’s worth as a benefactor (she had been wealthy even before her commercial success) outweighed her nuisance, the Adamsons and their projects were tolerated by the Kenyan government.
George Adamson (now retired, and living near Meru National Park) helped obtain, and train, the 24 lions which were used to make the movie Born Free.
George then took three of the lions used in the movie stating his desire to rehabilitate and release them, and returned to Meru (he wanted to take all the lions, but the Kenyan government considered his prior efforts to be less than successful, and had doubts, and only allowed George to take three animals)
While working to “re-wild” the lions, George also took on the task of “re-wilding” a lion named Christian (who shot to internet fame in 2008 after footage of him hugging his former owners hit the airways) who had been purchased from Harrods of London, and then raised as a pet by his “rescuers”.
One of Christian’s former owners, Ace Bourke, would later say (showing a deep understanding of the situation) that “One of the many lessons we learned from our experience with Christian was that while some see us as “saving” Christian – and we did have the best (if naive) intentions, we were unwittingly participating in and encouraging the trade in exotic animals.”
Christian eventually succeeding in learning to live on his own in the wild, leaving the area with his new pride.
One of George Adamson’s favorite lions, Boy, however, went on to maul and kill George’s assistant, a man named Stanley. According to several accounts, Boy then proceeded to drag the man’s corpse into camp and began eating it, at which point George shot and killed the lion.
This occurred some five years after George originally took the lions (there were now seven lions in total, as George continued to add more without every releasing any, proving the government’s dubiousness to be wise) to be “re-wilded” and released.
After the fatal mauling, George and his lions were permanently expelled from the reserve.
By then, the only place the government would allow Adamson to once again set up his “rehabilitation” program was a place called Kora, which was considered a veritable “no-man’s land”. This exile would provide the final break between Joy and George who began living separately.
Going her own way, Joy continued to breed, and work with cheetahs. Pippa the cheetah had four litters before her death, and Penny the leopard had two cubs. Joy wrote multiple books about the captive big cats and their offspring, though her continued intimate interactions with the cats after they “returned to the wild” begs the question of whether or not the cats were, in fact, ever successfully “released”. Joy Adamson was murdered in 1980.
That same year, one of George’s lions badly mauled his brother, Terence, prompting the Kenyan government to shut down Adamson’s program once and for all.
In 1981, George briefly attempted to start a leopard training program, but the effort quickly faltered.
George Adamson was murdered in 1989 at his primitive camp in Kora, where he lived with some sixteen of his “re-wilded” lions, along with several servants.
Guests at the camp recall how in the evening, George would “call” his lions with a megaphone and then exit the fenced camp in order to walk among them, feeding them hunks of camel meat, a mirror of the Adamson’s prior inability to refrain from forcefully interacting with their lions even once those lions have been “released” into the wild.
At the time of his death, George was also in possession of three adolescent lion cubs, which he had obtained the year prior from an up-country ranch, something the Kenyan government had reluctantly allowed after having banned Adamson from obtaining new lions for almost a decade.

George Adamson’s programs and efforts were always controversial within Kenya. Even established contemporary conservationists at the time maintained that his projects were unimportant, dismissing him as a sentimental eccentric. Joy was viewed in similar fashion, as she very vocally attributed her bond with Elsa, and other animals, to the powers of telepathy, and insisted that they spoke to each other as two humans would, simply without words. This, along with her books, were viewed by the scientific and conservation community as anthropomorphizing and detrimental to the perception of wild animals by the general public.

George himself, had little interest in trying to document anything he did for science, declaring that he would not “reduce his lions to behavioral charts and graphs” so any functional knowledge that might have been gained through his efforts was lost within the biased, and personally-shaded entries of his private diary.

Articles eulogizing George at the time of his death in 1989 referenced the fact that a “romantic vision of Africa may have died with him.”

And that’s really what this is all about.

A romanticized ideal of humanity’s relationship with wild animals and captive wild animals versus the real version of it.

Captive Wildlife Watchdog is focused on the very real perils facing wildlife, and captive wildlife. One of those very real perils is the romanticization of wildlife itself.

The romantic ideal of Elsa and her offspring exists in the photos and videos of them playing with the Adamsons.

The reality of them exists in the maulings, fatalities, other injuries, and property damage caused by those same lions, as well as the subsequent death of the lions when they were killed by either locals, or in the case of Boy, George Adamson himself.

The romanticized ideal of Kevin Richardson exists in his own book, and the various movies, commercials, ad campaigns and photos which show him lounging and playing with his lions.

The reality of those captive lions exists in the fatal mauling of Megan van der Zwan by one of Richardson’s animals in February of this year.

Reality is something the Adamsons found out the hard way decades ago. Both George and Joy were injured multiple times by their own lions. Joy was later repeatedly injured by her leopard, Penny. George’s brother, Terence, was badly mauled by one of George’s lions. Stanley, George’s assistant was fatally mauled by one of George’s lions. Even a Japanese journalist was mauled–more than once–by a lion in George’s possession. It was the last two incidents which caused the government to permanently shut down George Adamson’s program, deeming it too risky because of the habituation of the lions to humans.

We know that big cats habituated to human interaction are much more likely to eventually injure, maul, or kill a human, at some point in their lives. And we know that once this happens, the habituated big cats who perpetrated the incident are, at worst, killed, and at best, forced to live under guard, and without the human interaction they were subjected to before the incident.

Why then do we repeatedly defend, and persist with embracing the forced habituation of captive big cats to humans?

Why do we romanticize these interactions, and idealize the bond created by forced habituation and conditioning?

Why do we continue to declare that the romanticizing and idealizing of captive wild animals is somehow beneficial to conservation simply because it captures the imagination of a public which doesn’t understand that it’s viewing a carefully constructed story rather than a forthright reality?

Yes, the Adamsons captured the worlds imagination. Yes, the Adamsons had “good intentions”. Yes, the Adamsons eventually managed to convey a handful of lions from captivity to a wild existence.

But one must also then say that:

Yes, the Adamsons created situations which resulted in the death of both humans and lions. Yes, the Adamsons “collected” lions, most of which were never successfully “re-wilded”. Yes, the Adamsons forced their lions to continue to interact with them by pursuing them in a wild setting them, feeding them in that wild setting, and then documenting for profit (in the case of Joy) those interactions.

The Adamsons were neither perfect, nor horrible. They had good intentions, but they made many mistakes. Their overall goal, despite their own struggles with “letting go” and their failings at large in the matter, was to return once-captive lions to the wild where they believed they belonged. They did not set out to exploit Elsa, even if they ended up willingly using many other lions in order to portray Elsa in a big screen movie. George, despite being considered by current generations to be a figurehead in lion conservation, resisted even properly documenting his own efforts, while Joy, pursued using captive big cats for profit in order to raise money to conserve wild versions of the same. The Adamsons represented both the most beautiful ideals of big cats, and the worst realities of them.

The questions Captive Wildlife Watchdog would pose to our readers, are:

Do you want to learn from the reality of the Adamsons, and evolve from them and what they did? Do you want to help create the understanding that in reality wild animals need to be wild, and do not need humans at all, but rather need to be allowed by humans to exist as they were intended to exist?

Or do you want to continue as the Adamsons did, repeating the same mistakes they made, creating the same result, that result being beautiful and romanticized stories involving captive big cats forced by circumstance to bond with humans while never living wild as they were meant to?

Are you willing to endorse the use of captive wild animals for commercial entertainment if that entertainment claims to contain a conservation message? Do you find the trade of a captive wild animal’s life in captivity in exchange for a beautiful story about how they should not be forced to live in captivity acceptable?

Or do you want to endorse the idea that wild animals which are forced into captivity through no fault of their own should be provided with as natural an existence as possible? Do you believe that humans have no right to impose their will upon that of an animal which cannot distance itself from them, and that we should, instead, remove our inappropriate influence from their sphere of existence whenever it’s possible to do so?

These are choices we cannot force on any of our readers. You must come to your own decisions. It is not wrong to admire the Adamsons and what they attempted to do, nor the beautiful, idealized, story they gave to the world. The members of CWW have all seen, Born Free, and read the books written by the Adamsons. We have all taken the impact and influence of those stories and shaped ourselves with them.

But we have also chosen to move on from them, to tackle the reality of the issues behind those beautiful, idealized stories. And in order to do that, we cannot, and will not, support the creation of more beautiful, idealized stories, which serve only to cover hard reality with a lovely, marketable, veneer of romanticism.

*****Addendum

Since posting this note, CWW was contacted by a follower, who forwarded a message to us, that they had received from someone else. We have verified that the author of the below statement did, in fact, personally know both Joy and George Adamson. He, himself, has decades of experience with wild, and captive wild animals. Because this was forwarded to us through a third party, we have left his name out, but again, we have verified that he knew the Adamsons personally, and greatly respected both of them. Please note the fact that this conservationists also personally knew the rancher involved, who was, himself, a conservationist.

“Having lived in the same Reserve in Kenya as Joy Adamson gave me some insight into this complex, intelligent and very tough old broad. Thus, while a very stern and callous individual in her dealings with other humans, she did also realize that she had quite a unique story on her hands and having the top publishers and editors in England as friends assured continuity in the warmth of the story throughout, even if it meant fudging a fact or two about Elsa's death.

The death of our beloved Elsa at the tender age of five was not "when she succumbed to Babesia felis, a form of babesiosis, a tick-borne blood disease similar to malaria" but instead directly related to the "local sentiment beginning to turn against Elsa and her cubs" as reported by Joy. If the story continued in this accurate telling, we would then have discovered that Elsa had begun hunting and killing the easiest non-human "game" - cattle on private ranches.

The Adamsons had little luck finding anywhere that would accept Elsa and her cubs with her growing reputation for killing livestock. This search dragged on so long as to see Elsa ramping up her attacks on the herds of cattle, so much so that it got to a point that the ranchers firmly believed that it was only a matter of time until she would turn her attentions to the only animal easier than cattle to kill, people.

Elsa was shot and killed by a ranch owner whose cattle were under increasing attacks from Elsa. They had gone as long as they felt they possibly could.

As things would play out, I would not only get to know and visit with Joy, but would coincidentally become quite close friends with the rancher in this tragic and fateful saga. A true conservationist, who I believe probably did try as long as possible to avoid this unfortunate and tragic ending.

FINAL NOTE
Most of my early work with captive wildlife was focused on big cats, having worked with as many as 60 free roaming lions and tigers at once. And, I also went on to successfully rehabilitate a zoo born baboon to a free living troop in the African bush. Yet, I always thought trying to rehabilitate a predatory animal that had already experienced a close loving relationship with humans was a recipe for tragedy. Joy came to believe this, though she was working with a very small leopard Penny, at the time of her death. George always remained steadfast, in his view any lion that he came across deserved a chance to be "Forever Free".”